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"Oh yes," said a voice. The monotonous and commonplace demands of everyday life on board ship as well as on shore will enter into the most exalted and uncommon forms of romance at sea. Whether Lucy Acton was mad, or whether she was merely acting a part, it was as certain she must be fed as though she was a vulgar, homely, steerage passenger with nothing more poetic and soul-lifting in her life than the faded portrait of the milkman who wooed and then jilted her. "Oh, you must not think of such things, madam. How fearful to be locked up in your bedroom, though it should be half as big as this ship, when the house is on fire! Would not you enjoy a short voyage? The trip to the West Indies is short. It is a tropical journey, and all the romance of the sea is in it.".

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"I know, sir," she exclaimed with the vehement indignation and contempt conveyed by that perfection of art which conceals art and which is a gift of intuition beyond the reach of those not born with it, "that Sir William Lawrence has a son, and that he was dismissed from the Navy for a brutal, drunken outrage of which he alone, of all the gentlemen and officers in the Service, was capable." Next day was Sunday and Billy did not like Sundays. They meant the scrubbing of his face, ears and neck with "Old Brown Windsor" soap until it fairly cracked if he so much as smiled, and being lugged off with his parents and Anse to early forenoon Sunday School in the little frame church in the Valley. There was nothing interesting about Sunday School; it was the same old hum-drum over and over again—same lessons, same teachers, same hymns, same tunes; with Deacon Ringold's assertive voice cutting in above all the other voices both in lessons and singing and with Mrs. Scraff's shrill treble reciting, for her class's edification, her pet verse: "Am I nothing to thee, all ye who pass by?"—only Mrs. Scraff always improvised more or less on the scriptures, and usually threw the verse defiantly from her in this form: "You ain't nuthin to me, all you who pass me by." Of this man, a toothless salt whose face was like an old potato, dark with the weather of[Pg 34] vanished days and covered with warts, an affecting story was told: it was evening, and the room was full of seafaring men, and this man, whose name was John Halliburton, sat at the table with a long clay pipe trembling in one hand and a glass of hot rum and water in reach of the other. Several songs had been sung by members of the company, and some one, by way of a joke, asked old John to oblige. To the amazement of everybody the old man put down his pipe, took off his hat, out of which he drew a large red handkerchief with which he polished his face, and then, fixing his lustreless eyes upon the man who had asked him to sing, broke into a song in a strange, quivering, fitful note, as though you should hear a drunken sailor singing in a vault. The assembly was hushed into deep stillness. It was certainly a most unparalleled circumstance for old John to sing. In the middle of the second verse, some old nautical ballad popular fifty years before, he stopped, put his handkerchief into his hat, and his hat upon his head, and resumed his pipe, gazing vacantly at the man who had asked him to sing. "His game you mean.".